The books / Mead Making / chapter 16 of 21

Dry, semi-sweet and sweet

All chapters
  1. Honey, water and yeast
  2. Why mead goes wrong
  3. Never boil the must
  4. Honey and gravity
  5. The alcohol is the gravity you lost
  6. Choosing a yeast
  7. Feed it in thirds
  8. Sanitise everything it touches
  9. The cellar through the year
  10. Three steady readings
  11. Racking off the lees
  12. Faults and what caused them
  13. A stuck ferment and the restart
  14. Clearing, fining and the second racking
  15. Stabilise before you sweeten
  16. Dry, semi-sweet and sweet
  17. Bottling
  18. Varietal meads
  19. Patience is a technique
  20. Selling mead, and the licence
  21. What the cellar leaves out

Where a mead finishes decides how sweet it tastes. A final gravity under 1.010 is dry, 1.010 to 1.025 is semi-sweet, and 1.025 to 1.050 is sweet.

There are two ways to get there. One is a yeast that stops before the sugar is gone, so the sweetness is left behind: a strong must and a 14 percent yeast finish sweet by design. The other is to ferment dry, stabilise, and add honey back, running small trials first. By chapter 4's arithmetic, the common 55 to 115 grams a gallon only reaches off-dry, about 1.004 to 1.009.

Sweet is a style, not a failure, as long as it was meant.

In this game Sweeten it brings a dry batch to 1.012, semi-sweet, with its own honey: 12 points at 292 a kilogram in a litre is about 0.16 kilograms a gallon. It is stabilised first and sells for 10 percent more.